Blog & News

It's not lace, but might be of some interest to folks here. This North Bennet School in Boston is where I got my new lace pillow in the Queyras style. They have other hand craft skills and this talk is apparently about weaving and technology tensions.

https://nbss.edu/news-events/events/in-the-making-jovencio-kat/

Check out those fat cloth stitch sculptures--now I'm wondering about giant soft lace sculptures too!

From that post there's a link to their Eventbrite to register for the zoom tickets.

Inside the Fascinating History of Lace

The intricate textile—with its many technical and social complexities—is a key subject during New York Textile Month

Coinciding with New York Textile Month, “Threads of Power: Lace From the Textilmuseum St. Gallen” is the first large-scale exhibition on lace to be presented in New York in over 40 years. The show, which opens on September 16, is chiefly aimed to address the “simultaneous presence and invisibility of the lacemaker,”....

Nice piece on the Bard exhibition.

This woman makes Ñandutí lace out of denim cutouts. It's cool, and expensive. 

Libby Newell.

https://spaldingnixfineart.com/artist/libby-newell

Spaces are still available.  The dates are from 9/22 to 9/26.  There is an option to choose the dates during this time.  Please contact me if you are interested in Kumiko Nakazaki’s workshop.  My e-mail address is traysumiko@gmail.com and the cell phone number is 704-501-7923.  Kumiko will be teaching at the Finger Lace Guild Retreat this year.  Anyone who needs Kumiko’s instruction after the retreat is very welcome.

Offered through the Lace Museum, join this virtual class every Thursday from Sept 29th - November 17, 2022
To Sign Up for This Class you need to Contact:
https://thelacemuseum.org/virtual-education/

Course Description: Made in five separate pieces, students will learn elements of 3 different lace techniques in one pattern that include Honiton, Bedfordshire and Cluny laces….a three for one! The body of the Butterfly uses Honiton techniques including starting at a point, working up the edge, the four-pin bud, working with and crossing the coarse thread, making a divided trail and ending at a point. The lower and upper wings use techniques from Bedfordshire and Cluny lace that include the Bedfordshire and Cluny joins, crossing trails, Bedfordshire circles, adding and deleting pairs, leaves, picots, cloth stitch trails and footside techniques, plus pattern interpretation, design, and the use of color. A bonus discussion on how to use this pricking with Honiton Fillings will also be discussed. The pattern was redrafted by Holly Van Sciver from a traditional pattern published by Pamela Nottingham.

Dates: 8 Thursdays – September 29, October 6, 13, 20, 27, November 3, 10, and 17, 2022 (24 hours of class time)

Time: 9:30 am – 12:30 pm Pacific

Registration Fee: $280

Please visit the event page for more information.

This story about an installation at the Waco Airport had me intrigued, for sure. 

Picks for Waco airport art highlight flight, mammoths

“It was like nothing we had ever seen before, a traditional art form — lace making — but at such a large scale. … It’s a simple design, but complicated in how it’s executed,” Dyer said.

They are musing about cotton. But obviously it should be wooly....

She has not decided what material to use in Waco, but is considering cotton, given the city’s history as a cotton growing hub, she said. Also undetermined is how much of the piece she will weave onsite.

See more of Manca Ahlin's work at her website: http://www.mantzalin.com/

I learned today that Nancy Hood, long-time lacemaker and contributor to our NELG logo passed away on July 30, 2022. Her picture is included in our most recent newsletter among the other participants. Her generosity to our library and silent auction has been very much appreciated. Our thoughts and sympathies to her family and friends.

Spotted this podcast episode with some names I recognized, and I thought it was nicely constructed. It celebrates lace history and traditions but also moves it forward with contemporary lace art.

Haptic & Hue: THE LONG AND WINDING ROAD OF LACE, EPISODE #31

You can listen on podcast apps or from the web page, but also go see the episode page for some lovely images of lace work and links to a lot of good resources. 

Today I went into the studio at WBUR, a Boston NPR station, to talk about Ipswich lace. I had pitched it as a story idea for their Hidden History segment in April, and they researched it more and decided to run it.

Link to audio: How hundreds of men, women and children built a cottage lace industry in Ipswich

They had reached out to the Ipswich Museum and Katherine Chaison and brought her in as well. She was terrific. 

Karen Thompson was able to talk with them as well, so we have that audio--I'm so glad that worked out. 

And they wanted to know about young people making lace, so I pointed them to LaceTok! They found several bits of audio there to use as well. [I didn't tell them that was a local thing, it just got twisted a little there]. 

I wish I had more time to explain our work on the mobile exhibit, but that's ok--anyone looking for Ipswich lace will find us now and we can spread the word in other ways. It was still great to raise the profile of this lace and have a way for people to find out more. 

If you want to see some of the things we talked about--like Alexander Hamilton's papers and the sample lace, start here: Ipswich Lace at Wikipedia.